Isolate —> integrate —> improvise

Circles mark the alignment areas we’ll explore in this chapter.

My general approach to proper alignment at the piano is based on common sense: If your body feels relaxed, that’s usually a good sign, but if it feels tense, it’s likely not. Similarly, if your hands appear relaxed, that’s probably a good sign, but if they look tense and awkward on the piano, it’s probably not so good. Fundamentally, playing a piece of music at the piano involves two tasks: pressing the keys down and moving your hands left and right over the keys.

However, there is much more to say about proper technique and alignment at the piano. Various schools teach different approaches regarding the most efficient techniques for holding your body, hands, and fingers, playing notes, rotating your hands, etc. It’s not uncommon to design an entire choreography that you will perform with your body while playing a certain piece—considering where your torso will be when you start a piece, how much weight you are going to put on your legs to keep yourself balanced, how you are going to lift your wrist, and so on.

We will keep things simple in this course, but just so you know, beyond my own piano-playing and teaching experience, the things you will hear from me are mostly rooted in the Taubman approach and insights I’ve picked up from Fred Hersch.

Before we dive deep into proper alignment and piano technique, there are two important things to mention:

1. Gradual Introduction of Technique: In my private lessons with absolute beginners, I spread this information over several months to avoid overwhelming them. I want my students to experience the joy of playing music as soon as possible. I only introduce these technical aspects when I notice significant issues with their fingers, wrist, elbow, shoulder, or legs. If you’re feeling overwhelmed by the details of proper technique before even playing a note, that’s completely understandable. You don’t need to memorize everything now. Just read through the material once to get a general understanding, and then move on to the next lesson.

2. Patience with Technique Mastery: Even if you memorize all the technical details, don’t expect to play perfectly right away. In my lessons, we spend about five minutes at the start focusing intensely on proper technique while playing five notes slowly up and down. During this time, students usually correct most of their technical mistakes. However, once we move on to reading music or improvising, those good techniques often slip away—and that’s okay! Correcting every mistake would mean stopping every few seconds, which is unnecessary. Over time, your fingers will strengthen just by playing and practicing, especially with daily five-minute technical scale exercises that I will show you later. As your fingers grow stronger, proper technique will become more natural. So, don’t worry too much in the first few months if your hands feel a bit tense. It will improve. You can record yourself at the end of each module, review the principles of proper technique, and analyze your playing then. Until then, give yourself a break and enjoy playing the piano, no matter how it looks.

The Taubman Approach to Piano Technique

Dorothy Taubman (1917-2013) developed a revolutionary approach to piano technique by observing and experimenting with how pianists move. This method, known as the Taubman Approach, centers around optimizing movement mechanics, ensuring efficiency and injury prevention while improving the quality of piano playing. Taubman was inspired by watching young piano prodigies play effortlessly and without injury. She dedicated her life to understanding and teaching what these children knew intuitively. The Taubman Approach centers on five key principles:

  1. Alignment: Proper alignment of fingers, hands, wrists, and arms to distribute effort evenly and reduce strain.
  2. Rotation: Using rotational movements of the forearm for smooth transitions between notes.
  3. In and Out Motion: Moving the hands in and out to follow the natural motion required by the music.
  4. The Walking Hand and Forearm: Coordinating hand and forearm movements for fluidity and ease.
  5. Shaping: Contouring hand positions to fit the musical phrases, ensuring a natural and relaxed technique.

By focusing on these principles, the Taubman Approach helps pianists play with ease, avoid injury, and achieve greater musical expression.

Who is Fred Hersch?

Fred Hersch is a celebrated American jazz pianist known for his innovative and influential work over more than three decades. Recognized as a master in his field, Hersch has been described as “the most arrestingly innovative pianist in jazz” by Vanity Fair and “a living legend” by The New Yorker. He has received numerous awards and 17 Grammy nominations. Hersch’s approach to piano playing emphasizes natural, relaxed movements, which aligns with the Taubman Approach. He has taught at prestigious institutions like the Juilliard School and the New England Conservatory, and his teachings have influenced many prominent jazz pianists today.